Freeform Love: WXNA Turns 3

My indoctrination into music nerd-dom came rather late in life. I spent my high school years as a science fiction/comic book/movie/comedy nerd. My primary access to new music was what I heard on mainstream Top 40 radio, most of which left me cold in the late 1970s. My only source for records was the Russellville, Kentucky, Big K (a local discount store chain that was devoured whole by Walmart in 1981) where I scoured the racks for movie soundtracks, comedy LPs, and Beatles records, the one musical group I was truly passionate about during my high school days.

Growing up in the boondocks of Western Kentucky meant I had no access to a local record store to discover artists I’d never heard before, and I lacked a music “mentor” to say, “You’ve never heard fill-in-the-blank? Here, listen to this!” Occasionally I might see an interesting act on TV like Blondie or Devo, but the musical infrastructure to nurture a budding fascination simply did not exist in my world.

My first year of college at Western Kentucky University in Bowling Green, Kentucky, changed my life more completely than I could ever imagine. Not only did I feel like I was free from the rural “prison” of my high school teenage years, but I suddenly found the perfect means to express my teenage angst and frustration – punk rock. My first few weeks of college led me to records by the Ramones, the Sex Pistols, the Clash, Elvis Costello (back when he was one REALLY pissed-off skinny geek), and more. But along with the punk rock, I was also discovering 1960s rock beyond the Beatles: glam, ’70s hard rock, classic early rock’n’roll, and more. Albums like London Calling, Jerry Lee Lewis Original Golden Hits, The Kinks Are the Village Green Preservation Society, and The Rise and Fall of Ziggy Stardust and the Spiders from Mars all arrived in my growing collection within weeks of each other.

The result was that I quickly developed very egalitarian tastes in music. For me, Otis Redding’s Dock of the Bay was just as much “new music” as X’s Under the Big Black Sun. At the same time, I became aware of just how boring and timid mainstream commercial radio was. Records like R.E.M’s Chronic Town knocked my socks off, but you sure didn’t hear it on the big radio stations.

“Someone should start a radio station that just plays great music, no matter when it came out or what style it is!” became one of my frequent rants. “It might not be the highest rated station in town,” I bellowed at passing clouds, “but there are enough people who would dig it if someone just had the balls to just do it!”

It would take me three decades to finally put my time and money where my rant was. Of course in the meantime, I’d discovered college radio, but even it often fell victim to the “format” infection, and its entanglement with university politics and dependency on a young, inexperienced and constantly rotating management team meant that even the best station could be decimated with one graduation ceremony or an arbitrary decision by an institutional bureaucrat.

Around the same time I secured a community-volunteer spot on Vanderbilt University’s WRVU in 1997, I also discovered WFMU and other like-minded freeform stations that were just beginning to extend their programming to the internet. A similar station was what Nashville truly needed — an independent, community-focused radio station, founded on a belief that good programming, no matter how eclectic, would find its audience.

The death of WRVU as a terrestrial broadcast station in the summer of 2011 was a tragedy for Nashville’s cultural scene, but it also presented an opportunity. That’s why I jumped at the chance when Heather Lose called me in the March 2012 to ask if I had any interest in starting an independent, listener-supported community radio station in Nashville. At our first meeting, I said we had to be totally freeform, every DJ programming their own show, and I was pleased and surprised to find that everyone else felt the same way.

Seven years after that first meeting, and three years since WXNA officially began broadcasting that vision of freeform, people-powered radio is not only still going strong but is growing. WXNA is a testament to both our volunteers and our listeners. It demonstrates that real human beings sharing their passion for music, the arts, and the human condition can inspire hope, bring real change to the world, and share our humanity in the moment, right here and now, along with proving that punk fury-powered rants sometimes turn out to be right.

Randy Fox
Randy’s Record Shop
Mondays, 7-9 a.m.

Let’s Hear It for People-Powered Radio!

When we brag that WXNA FM is people-powered radio, we mean it. Listener support makes possible our broadcasting in Nashville at 101.5 FM and online, with a wide array of freeform and speciality programming coming to you seven days a week. This Spring Pledge Drive (May 13-19, 2019), we thank you for expressing your love for WXNA by making a donation. Here’s what several of our volunteer DJs had to say about what people-powered radio means to them.

 

Leanne Merritt of “X-Posure”

People-powered radio, especially WXNA, is a positive example of a thriving symbiotic relationship. I love seeing how music connects us all and I realize every day just how small the world is as I meet people through music. I believe that music is a powerful connector, and that it creates community. I hope that the joy I get by sharing new sounds on my radio show is also experienced by the listener tuning in and by the artist who is getting their music played on the radio.

 

Plato Jenkins of “The Needle in the Groove”

WXNA gives me a reason to search out new (to me) music. It’s like spinning records in my living room, except I’m sharing with more than just my dog. 😜 And the other shows inspire me.

 

Laura Pochodylo of “Big Little Records” and “Runout Numbers”

For me, being part of a people-powered radio station is an exercise in putting my time, effort and money where my mouth is. If I want an alternative to corporate mass media, I had better help build and support it! Hosting two shows each week is a great excuse I can use to keep buying cool records, and I love that it expands my sonic horizons while building my confidence in my musical knowledge and on-air abilities. Being a part of WXNA feels like having an extended family all throughout Nashville.

 

Alexis Stevens of “Free Association”

WXNA reflects the eclectic tastes of the Nashville community (and beyond), and it belongs to the listeners who support it—that is people-powered radio. On a personal level, it fulfills a deep desire in me to share the music I love with others. I think all WXNA DJs feel that way and take the responsibility/privilege seriously. Long live freeform, people-powered radio! LONG LIVE WXNA!

 

Peter Rodman of “Peter Rodman Goes Off”

Music changed my life the minute WXNA went on the air. It changes my life every day listening to the station. I learn more about music now than I had learned in the 50 years prior to the launch of this station! It shows how much the station revitalizes this 67-year-old–we want to do that for everyone listening!

 

Chris Nochowicz of “The Future of Jazz”

When I found out that I have a listener in another country building their personal playlists off of what I play; when I have a listener tell me that what I played got them out of a tough point in their life; when I know I have sold music for artists because their listeners heard it on my show, I understand how important what I play is. All of a sudden I realized that what I play and say is important. I need to stay fresh and current and keep finding the struggling artist that doesn’t have the money to promote, but has some of the best music out there. I’ve been doing this for fifteen years and I could go on forever about why I do this. Better than a paid day at work. Oh, and then the large group of friends I met because of the ❌

 

Nashville Leslie of “Studio & Stage” and “The Soap Radio Hour”

People-powered radio means radio that still reflects free speech and real people playing music they’re passionate about!

 

Lauren Turner of “Shout, Sister, Shout!”

From the late-great “Seaship Auricle” to “Maiden Voyager”—this station has got the whole world’s music covered, as well as the music of the weird and wonderful people in your backyard, making your breakfast, and teaching your children! The magic of the everyday is alive and well on-air, and running on community support is totally a part of that!

 

Celia Gregory of “What Moves You”

When plotting a move to Nashville from my college town a decade ago, aiming to immerse myself in LIVE music, it never occurred to me I might have the opportunity to spin songs and talk to artists I love, sharing their art and perspectives with a wider audience via terrestrial radio. WXNA is a people-powered labor of love, and a dream come true for the volunteer DJs who lend their time and record collections. But we hear from listeners that this is THEIR radio home, too, and there’s room for all! Inclusive. Inspirational. Addictive. For those about to rock (tuned to 101.5 FM), we salute you.

 

Heather Lose, Founding President of WXNA and “Aging Hipster” Host

To me it’s all about connecting with the audience. Our world is a complicated, scary, amazing, beautiful, horrific place. Prepping each week’s show in response to what’s going on out there helps me process, and sharing these songs brings community together to celebrate, mourn, rage, or just enjoy an awesome Elvis Costello song on a pretty day. Because it’s happening live, we’re doing these things together, and anything that helps bring people together is very special and very needed.

 

Lauren Bufferd of “Different Every Time”

I came of age at a time when radio was the primary way I learned about new music or really any music, short of sharing with friends. I first heard Coltrane on a late night jazz show and had to pull over to the side of the road. I’d never heard anything so beautiful–I had to stop driving. Though nothing’s been quite as transcendent since, I have been exposed to lots of new music via radio. When I do my show, I am thinking of someone like me who has big ears and eclectic taste and is going to hear something new and beautiful and exciting on “Different Every Time” and fall in love, just the way I have, so many many times. Also, it’s a great excuse to buy more CDs.

 

Michael Buhl of “The Scatter Shot”

I suppose “people-powered radio” is about individual passions—certainly that of the DJs, who would do their show the same way regardless of whether they had one million listeners or no listeners at all, but also that of the listeners who get their individual tastes and interests catered to as well as being able to discover new ones.

 

Ashley Crownover of “Set Records to Stun” and “The Soap Radio Hour”

Freeform radio is magic brought to you by wizards who are secretly regular people just like you. The songs they play are spells that say, “You are not alone.” The power to cast these magic spells is created via a mystical process of ritual and belief that combines faith, science, and financial support in a big black cauldron of community. DJs stir the concoction at 33 1/3 RPM while cackling maniacally to themselves in a room full of alchemical equipment made possible by listener support. The result is a sparkling fresh batch of people-powered radio sent straight to your head and your heart every single day!

 

Ed Brinson of “Eighties/Schmeighties”

Being part of an organization that is dynamic, growing, and engaged with the community is a true privilege. And planning shows and presenting music beats paying for psychoanalysis!

 

Hound Dog Hoover of “Goin’ Down South”

To me, people-powered radio means that WXNA is bigger than the sum of its parts. Our individual shows might cater to a particular audience, but anyone that tunes it at any time will find some delightful surprises.

 

Drew Wilson of “Loud Love Show

I love having the opportunity to play songs that a listener might not get a chance to hear anywhere else. For that one kid who hears a punk song on the radio late at night and starts learning three chords. To build a community and give an outlet to those that already exist. Music is both a release and a unifying bond. To hear songs that mean something to you, that would never get airplay on a commercial station, that can be life changing.

 

Randy Fox of “Randy’s Record Shop”

Radio is the sound of human voices singing, talking, and connecting with others. It’s one of the most powerful inventions ever created and can be, and should be, more than a means to make money and sell products. “People-powered radio” is real human beings sharing their passion for music, the arts, and the human condition—changing lives and inspiring visions of a world bigger and more diverse than one imagination can contain. It’s also the best means possible to inspire hope, move feet and shake booties, raise a fist in solidarity, rock your ass off, and share our humanity in the moment, right here and now.

 

Some Kind Words from a WXNA Superfan

“Dude, there’s gonna be a street party at Third Man Records during the eclipse.” Those were the exact words my friend living in Nashville told me. Of course I was sold. I live in south Alabama and there was only going to be a partial eclipse here and that’s barely worth looking at. But the rare opportunity to view a total solar eclipse and visit good friends in Music City sounded well worth the drive.

While I was in town, my buddy and I spent a good bit of time cruising around. As soon as we started driving, he told me, “You’re gonna love this station up here, they play everything. I heard Crass on here one morning.” He turned it to 101.5 FM. I was completely enamored from the very first song.

Later that afternoon we visited Grimey’s and my buddy casually said, “I think WXNA broadcasts from upstairs.” I had to investigate and see what this was all about. I saw a small WXNA sticker on the door of an unassuming building and knew it was the place; I went in and up the stairs and lo and behold there was station co-founder Randy (I figured this out later) and DJ Juan (he was training at the time).

I am blown away that this group of over 80 volunteer DJs put together so many completely different sets week after week! I listen to 40+ hours of music at work every week. Iit had been a struggle finding quality music that was also safe for a work environment, but I knew immediately that the problem had been solved.

I found WXNA during a once in a lifetime event in a fascinating city and it has been life-changing. I hear at least 50 new songs every single day! I feel so lucky. I’ll occasionally call a DJ to tell them I like a song or a set or make a request. It turns out one of the DJs has a family member near me and we had a beer together when he was in town. What’s better than making connections with quality people? Isn’t that what music is about anyhow?

A total solar eclipse is an extraordinary experience but I have to say that discovering WXNA has had a more profound impact on me. WXNA helps me keep my mind focused and keep living right. I think I am a bit of an odd bird and have even been dubbed a superfan but I am sure there are many others out there that share my love for the station. I only look forward to the success and growth of WXNA.

Oh, and they have a heavy metal show!!!

Brad Johnson
Fairhope, Alabama

Photo Credit: Wim Mulder, Flickr